Lesson 42

惡劣的天候

惡劣的天候通常光線會不夠，例如在雨、霧中或夜晚，光線變少，色彩暗沉甚至完全消失，大多數人在此時多會留在室內，然而有些作品卻是在這種環境中完成。

拍攝此類的照片時，首重畫面的氣氛，可能會需要長一點的時間來等待最佳的拍攝時機。

颱風夜裡大雨朦朧

Lens: 70-300mm F/4-5.6 D
Focal Length: 86mm
Exposure Mode: Manual
Metering Mode: Multi-Pattern
1/30 sec - F/4
Exposure Comp.: -0.3 EV
Sensitivity: ISO 800
Optimize Image: Vivid
White Balance: Flash
AF Mode: Manual

下雨的夜晚，撐傘的路人

Lens: 18-70mm F/3.5-4.5 G
Focal Length: 18mm
Exposure Mode: Aperture Priority
Metering Mode: Multi-Pattern
1/40 sec - F/3.5
Exposure Comp.: -0.3 EV
Sensitivity: ISO 800
Optimize Image: Vivid
White Balance: Flash
AF Mode: AF-S

站在山丘上，山下起霧把整個山城給蓋住

Lens: 18-70mm F/3.5-4.5 G
Focal Length: 18mm
Exposure Mode: Aperture Priority
Metering Mode: Multi-Pattern
1/320 sec - F/11
Exposure Comp.: 0 EV
Sensitivity: ISO 400
Optimize Image: Vivid
White Balance: Shade +1
AF Mode: AF-S

雖然天空下著細雨，但夕陽的彩霞將西邊的天空染成橘色

Lens: 18-70mm F/3.5-4.5 G
Focal Length: 52mm
Exposure Mode: Aperture Priority
Metering Mode: Multi-Pattern
1/320 sec - F/8
Exposure Comp.: -0.7 EV
Sensitivity: ISO 400
Optimize Image: Vivid
White Balance: Shade
AF Mode: Manual

從貓空鳥瞰台北的夜空，雖然是陰雨濛濛，但仍然掩蓋不住台北城的繁華

Lens: 70-300mm F/4-5.6 D
Focal Length: 70mm
Exposure Mode: Manual
Metering Mode: Multi-Pattern
4 sec - F/4.5
Exposure Comp.: -0.3 EV
Sensitivity: ISO 200
Optimize Image: Vivid
White Balance: Direct sunlight
AF Mode: Manual

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